I’ve been working on a few up-coming posts about rhythm reading – and I’ve been using the Lilypond music engraver to prepare the notation. In doing so I’ve also discovered how to create blank manuscript and blank TAB paper. I also grabbed out the old templates I’ve been using to create my chord charts.
Month: June 2009
Lead Tone 6: Adding Compression
Compression is a tool which compresses (reduces) the dynamic range of a signal. It developed as a tool in studios but quickly found its way onto our pedal boards. Unfortunately, amongst guitarists, the compressor has a reputation for having limited uses – usually used as a sustainer or to get a ‘country’ squashed attack. By looking at compressors from a recording engineers point-of-view we see that they are far more versatile than we might have first thought.
Once the tone has been fully processed with compression, distortion and any pre-distortion effects (such as a phaser) the last main link in the chain is the final EQ and tone shaping (though time-based effects are still to come).The final EQ shaping is reliant on the speaker response, the speaker configuration, and whether the speaker cabinet is open or closed back, and of course the setting of the tone stack.